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The
Sanctuary of Les Mersans
Currently
this group of religious
buildings comprises two
square temples with galleries
and a third rectangular
building containing a square cella with
a pronaos or
vestibule at the entrance.
They are aligned to the
east between two parallel
streets. The trapezium-shaped
sacred area is enclosed
by a surrounding wall.
The
cultic buildings from the
first half of the 1st century
AD.
In
the area just beyond the
temples, some traces of
occupation around the Augustinian
period have been uncovered.
In the silt which covers
the red sand of the plateau,
cavities and post holes
have been found.
Under
temple 1, the remains have
been discovered across
too small an area to determine
the nature of the structures
of which they formed part.
The dry-stone base of a
wall made of perishable
material has been identified,
as well as a cobbled area.
At
the end of this zone, to
the east of these buildings,
is a further edifice with
a small bonding-course.
The 5m square cella is
preceded by a 2m long vestibule.
A 1m long wooden structure
has been extricated from
its centre. This building
brings to mind, albeit
on a smaller scale, the
design of classical temples
from this same period in
Southern France.
The
sanctuary from the second
half of the 1st century
AD.
A
major phase of reconstruction
to create a larger sacred
area seems to have taken
place after the Claudian
period.
The
6m sided temple 2 is built
on a construction whose
only base of dry-stone
walls has been partially
traced along the eastern
wall of the later gallery.
The cella is raised on
a dry-stone base and its
walls must have been constructed
of wattle and daub. The
discovered remains survive
to a maximum height of
.5m and are coated with
paint to create multicoloured
panels.
The
construction of this temple
goes up to the end of Nero's
reign or to the beginning
of the Flavian period.
A
low wall made from a layer
of bricks around
the edges has been added
near the back wall, doubtless
to reinforce the structure.
Cultic
Practices
In
the absence of distinct
inscriptions, the organisation
of the cults and their
respective devotions are
difficult to detect. The
presence of ditches has
raised a number of questions.
Of particular note is the
filling of several ditches
sometimes covered with
a layer of stones: the
careful arrangements of
deposits, the alternation
of layers rich in material
with barren levels.
One
of the ditches has revealed
the remains of several
animal parts accompanied
by knives and glassware,
on one vase of which is
mentioned the participation
of a vergobret at
a sacrifice. Deposited
beneath some stone rubble,
the split skull of a sow
and an earthenware pot
have been discovered and
below them parts of a pig
together with a knife.
Alongside
numerous pig and cattle
bones have been several
dog skeletons and the extremities
of deer antlers, despite
no trace of any other part
of that animal.
The
ditch which contained the
vase mentioning the vergobret
has surrendered a small
bronze fragment with a
primitive representation
of a stag's antler with
something of a protective
character to it.
The
Offerings
Hundreds
of minor objects together
with some 800 coins were
recovered from the sanctuary.
A number of small bone
tokens and glass stoppers
have been identified as
pieces of a game.
Few
votive objects, such as
the three miniature bronze
axes decorated with crescents
(models representing the
instrument of sacrifice
rather than the sacrifice
itself), have been found.
However,
substitutes for arms are
rare: an iron model of
a lance was found in temple
2 and two fossils were
discovered in temple 3,
one of which was a shark's
tooth.
If
it's normal to find so
few earthenware figurines
in the level corresponding
to the first half of the
1st century AD, the number
of amphora is hardly normal
either.
Few
precious objects of metal
and glass or even from
daily life have been found
but the number of spring-loaded
brooches traditionally
associated with the Augustinian
era suggest the presence
of a secondary deposit.
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Argentomagus, du site
gaulois à la ville gallo-romaine,
G. Coulon et Coll. © Editions
Errance
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